The original soundtrack for the movie Triskipolis is now available in high-resolution audio and remastered in 2026
July, 29; 2026. By Arscodex
Triskipolis OST cover
Let's just say it's one of the many things Pedro could do, but of all of them, it deserves to be highlighted for a number of reasons that we will list below.
The first is that the soundtrack of this film has indeed delighted film and music lovers worldwide, even before this release we have before us.
The second point is that, after conducting in-depth research on high-resolution audio in general, Pedro realized that he could, with his current technology, make these ten tracks available to the public, but in a very special way: with the highest possible sound quality that his system can provide, while simultaneously preserving the essence of the original recordings.
What is the result? The result is this release of the Triskipolis soundtrack, as we mentioned, but in the highest definition according to current standards, that is, in .flac files encoded at 192kHz and 24-bit.
The thing is, in this way, the soundtrack in question is now ready to "rest eternally," meaning there is no higher quality that the original recording can offer beyond this. It's true that some samples of the sounds used in the virtual instruments Pedro employed are at 48kHz instead of 192kHz, but essentially the entire recording, including sound effects and the working environment, remains at 192kHz. Therefore, as we've said, there's no way to offer higher audio quality than this release while preserving the characteristics of the original recording.
Now, let's make a brief comparison with other important sources of phonograms in our world today, such as the Berlin Philharmonic Orchestra. It's true that this ensemble has a multitude of instrumentalists at its disposal, each specializing in their own instrument, and the most advanced recording technologies available. But we must highlight the strengths of these Pliski Music recordings: using virtualized real sounds, Pedro Alonso Pablos has meticulously coded and reviewed every single note of this recording. It's as if a composer from the old school, let's say Mozart (whose compositions are in the repertoire of the aforementioned Berlin Philharmonic Orchestra), had not only had the opportunity to write his music, but could have supervised, one by one, as we've said, every sound that makes up a given recording.
Therefore, as far as the Triskipolis soundtrack is concerned, there's nothing more to it; that is, there won't be a subsequent recording, if one is ever made, that surpasses this phonogram as it is currently presented, because, as we've said, it was encoded and composed entirely by Pedro Alonso Pablos.
Furthermore, the author also mentions that there are several other soundtracks he composed for some of his films that are awaiting remastering and release in high-resolution audio.
So, on a day like today, we're already getting some work done, because there are many things to focus on, but we shouldn't get distracted and we should somehow pause to consider this small musical milestone.
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